Intellectual and Cultural Events Journal
Professor Smith's Sabbatical Report on Flying and Singing
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Although I was fascinated by what he said about the physics of flying and singing, I was even more interested in what Professor Smith pointed out about the tension between the form and the content of the song cycle by Shubert, Winterreise. The Romantic movement was one that often focused on human emotion, and the singer's feelings of unrequited love were nothing short of melodramatic. I found myself thinking of what Rosalind says to Orlando in Shakespeare's As You Like It when he says that he will die if she does not return his love: "The poor world is almost six thousand years old," she says, "and in all this time, there was not any man who died...in a love cause....Men have died from time to time, and worms have eaten them, but not for love." At any rate, what Professor Smith pointed out so eloquently is that Shubert's music acts as a rational, technical counterpoint to the depressed complaints of the singer who has lost his love. The singer's words may wallow in self pity, but the song he sings is carefully crafted to present an intellectual contrast to his emotion. This interplay, this tension between form and content, is what excites me most about literature and the other arts. As Virginia Woolf says about painting in her novel To The Lighthouse, "Beautiful and bright it should be on the surface, feathery and evanescent, one colour melting into another like the colours on a butterfly's wing; but beneath the fabric must be clamped together with bolts of iron. It was a thing that you could ruffle with your breath; and a thing that you could not dislodge with a team of horses." Art consists not only in what we first notice about a piece. Sometimes its inner workings are even more impressive than its surface qualities.